• SCREENPLAY STRUCTURE
  FREE MINI eBOOK

  

• SIGN UP FOR MY FREE NEWSLETTER SCRIBE,
  a monthly roundup of resources for authors and screenwriters.

  Email Address:
  

• SAMPLE SCREENPLAY OUTLINE

  

Categories:

• Adaptation
• Adaptation – Analysis
• Adaptation – Recent Film Releases (Page-To-Screen)
• Adaptation – Weekly Sales & Options (Book-to-Film)
• Announcements
• Character
• Concept, Premise, Ideas
• Conflict
• Description
• Dialogue
• Exposition
• Formatting
• Genre
• Legal Stuff
• Marketing, Selling, Pitching
• Q&A Series
• Resources
• Rewriting
• Scenes & Sequences
• Structure, Plot & Technique
• Theme

Archives:

• March 2010
• February 2010
• January 2010
• December 2009
• November 2009
• October 2009
• September 2009
• August 2009
• July 2009
• June 2009

Recent posts:

• Guest Blog for About A Screenplay
• Book-To-Film: Weekly Adaptation Sales & Options (3.9.10)
• How To Find Your Character’s Fatal Flaw
• Friday Q&A: Release Forms
• Page-To-Screen: Shutter Island
• The Three Dimensions of Character: Going Deep and Wide to Create Compelling Heroes and Villains – by Larry Brooks of StoryFix
• Book-To-Film: Weekly Adaptation Sales & Options (3.2.10)
• The Importance of the MidPoint
• Friday Q&A: Finding An Agent
• Page-To-Screen: An Education

Blogroll:

• /Film
• A Writer's Life
• Absolute Write
• Alexandra Sokoloff
• American Film Institute
• Bartlett's Screenwriting Tips
• Books For Film
• Complications Ensue
• Creative Screenwriting
• David Spies
• Documentary
• Done Deal Pro
• Film Dojo
• Film Gurl
• Film Independent
• FilmMaker
• Filmmaker IQ
• Go Into The Story
• Hollywood Reporter
• John August
• Joke & Biagio
• Just F*ing Entertain Me
• Living The Romantic Comedy
• Matriarchal Script Paradigm
• Million Dollar Screenwriter
• MovieMaker
• My Other Career
• My PDF Scripts
• Plot Whisperer
• Reel Artsy
• Screenwriting From Iowa
• Script Collector
• Script Girl's 411
• Script Magazine
• Script Notes
• Scriptwrecked
• Scriptwriter's Network
• ScriptXray
• Selling Your Screenplay
• Sex In A Submarine
• Story Fix
• Storylink
• The 3 a.m. Screenwriter
• The Big Picture
• The Bitter Script Reader
• The Distracted Globe
• The Emerging Writer
• The Insider's Pitch
• The Last Reveal
• The Pedestrian Review
• The Story Department
• The Unknown Screenwriter
• Thompson on Hollywood
• Variety
• What Would Toto Watch
• Women In Film
• Write Here, Write Now
• Writers Guild of America, West
• Written By
• Your Screenplay Sucks

Meta:

• Log in
• Back to top

• About Me

  
  

  I’m Laura Cross and I’ll be your tour guide through the adventure-land of writing your first script. I am a screenwriter, author, script analyst, and writing coach. I graduated from the University of California, Los Angeles (UCLA) Feature Film Writing Program. As a "hidden writer" I have adapted six books into produced screenplays. I am also the owner of Scenario Writing Studio and have worked as a freelance script reader for production companies and literary agencies. It has been rumored that I have seen every Clint Eastwood film, openly weep whenever Harvey Keitel dies on screen, and spend my spare time analyzing film noir and adaptations. I will neither confirm, nor deny this.
  
  Always remember: “When in doubt, have a man come through the door with a gun in his hand.” – Raymond Chandler
  
  
  Got something to say? Kick me a note at: Laura@ScenarioWritingStudio.com
  
  
  Check out my non-fiction writing blog Nonfiction Ink.

  
  
  

  There is nothing “new” in screenwriting techniques. I never claim any technique or idea is “my” technique or idea. Storytelling has been around for ages and so have all the techniques and ideas used to tell and write stories. Everything I share in regards to screenwriting is information and knowledge I have gathered over many years of writing screenplays and adapting material to film, working as a script reader and story analyst, attending classes, workshops and conferences, and reading books.